“When I was a boy, the bestselling books were often the books that were on your piano teacher’s shelf. I mean, Steinbeck, Hemingway, some Faulkner. Faulkner actually had, considering how hard he is to read and how drastic the experiments are, quite a middle-class readership. But certainly someone like Steinbeck was a bestseller as well as a Nobel Prize-winning author of high intent. You don’t feel that now. I don’t feel that we have the merger of serious and pop — it’s gone, dissolving. Tastes have coarsened. People read less, they’re less comfortable with the written word. They’re less comfortable with novels. They don’t have a backward frame of reference that would enable them to appreciate things like irony and allusions. It’s sad. It’s momentarily uphill, I would say.
And who’s to blame? Well, everything’s to blame. Movies are to blame, for stealing a lot of the novel’s thunder. Why read a novel when in two hours you can just go passively sit and be dazzled and amazed and terrified? Television is to blame, especially because it’s come into the home. It’s brought the fascination of the flickering image right into the house; like turning on a faucet, you can have it whenever you want. I was a movie addict, but you could only see so many movies in the course of a week. I still had a lot of time to read, and so did other people. But I think television would take all your day if you let it. Now we have these cultural developments on the Internet, and online, and the computer offering itself as a cultural tool, as a tool of distributing not just information but arts — and who knows what inroads will be made there into the world of the book.”- John Updike
Can’t take issue with his argument. But the premise is flawed, I think – shouldn’t writers find ways to coopt these new mediums to their own uses. What could be more of a merger of “serious and pop” than Philip Roth blogging.